'The work combines natural sounds captured by Watson in Tanzania’s Serengeti National Park with industrial percussion textures recorded by Z’EV in the crypt of the Hawksmoor-designed Christ Church Spitalfields. According to a press release, “The rhythms of the work are generated as Z’EV and the instruments move in and through the gallery, producing orchestrations of highly rhythmic acoustic phenomena. Watson’s mix also moves through the gallery, processed by Paul Gillieron’s Ambisonic surround sound system, 3D AudioScape, presenting a special electro-acoustic experience: a fully immersive sound field, where wildlife dawn and dusk choruses will create an exceptional experience of sound. This new musical composition summarises the cross-over between contemporary live performance and field recording.' Touch